3C's Cinema complex cum food court is one of Delhi's premier entertainment venues meant for wholesome family entertainment and food connoisseurs delight. That’s why 3C's is better known as “Where the best of movies meet the best of food”. The cinema hall has a seating capacity of 315 persons with state of the art technology for an audio visual treat. It opened on 31st October 2002.

Agneepath :: Showing Now at 3Cs Cinema

Star Casts: Sanjay Dutt, Hrithik Roshan, Priyanka Chopra, Katrina Kaif

Shows On: January 26^th - February 2^nd 2012

Show Timings: 11.30 AM, 03.00 PM, 06.30 PM, 10.00 PM

For Ticket Booking: +91-11-4522-0000 and 29847846 & 47

Review: Ram Gopal Varma, sit quietly in a corner for a bit. And watch a Karan Johar production -- yes Karan Johar -- make an operatic film about gangster violence. If there is a movie that explores the poetry of violence, it is this. Ye mahan drushya hain, chal raha manushya hain, ashru, sweth, rakta se lathpat lathpath lathpath. Harivansh Rai Bachchan's poem will echo as you watch Hrithik Roshan weeping while wolfing down the dal chawal his estranged mother has made for him. It will echo as you watch the face of the actor playing the young Vijay Dinanath Chauhan when his father is hanged from a tree. It will echo as you watch transfixed when Sanjay Dutt pounds Hrithik Roshan in the climax, the punches crunching bones and snapping muscle. And it will echo when you see a loathsome Rishi Kapoor hawking the flesh of a 15-year-old girl to a bunch of grasping greedy men.

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Underworld - Awakening

When human forces discover the existence of the Vampire and Lycan clans, a war to eradicate both species commences. The vampire warrioress Selene leads the battle against humankind.

Directors: Måns Mårlind, Björn Stein
Writers: Len Wiseman (screenplay), John Hlavin (screenplay)
Stars: Kate Beckinsale, Michael Ealy and India Eisley

Dirty Picture Reviewed

Many will argue that this film is filthy, lewd, sleazy and every other word that conveys the same. But since it's based on a character who embodies all these adjectives, it only ends up being a deliciously dirty tribute.

Based on the south Indian dancing diva and actress, Silk Smita's lustful life, 'The Dirty Picture' paints a concupiscent portrait, complete with bouncing love handles, blouses that resemble the barricade at the Metallica concert in Delhi (visible but unable to contain) and dialogues that are as clever as they are cocky. But a film about an A-grade dancer of B-grade repute can't really boast of cultivated conversation, right?

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